ROGER E. PREUSS, F.I.A.
(1922
- 2007)
On January 29, 1922, Edna Rosenau
Preuss' talented son was born in Waterville, Minnesota, gateway
to the southern Minnesota lakes region. The area surrounding
his birthplace teemed with wildlife of all species and with
the encouragement of his father, Emil W. Preuss, young Roger
soon developed an intense interest in the outdoors; an interest
which was to pave the way to a successful career in wildlife
art. When he was only nine years old, he entered a color crayon
drawing of a pair of bluebirds in a school art exhibit and
captured the first of the many blue ribbons he has won.
Mr. Preuss is an alumnus of
the Minneapolis College of Art and Design, a veteran of the
Naval Reserve, and a former northwoods guide. He has won 21
international and national art honors and his paintings have
been exhibited in many of the leading galleries and museums
including the Institute of Contemporary Arts, London; Joslyn
Art Museum; and the Montana State Historical Museum. He is
a member of the exclusive Society of Animal Artists and has
been elected a Fellow by the International Institute of Arts
and Letters.
Not only has he won awards for
his graphic art, but also for his outstanding decoys and numerous
writings on wildlife. He is a long-standing member of the
Outdoor Writers Association of America and his literature
has appeared in both domestic and foreign periodicals. He
authored and illustrated the book Outdoor Horizons; created
the paintings featured in Twilight Over the Wilderness, by
Olav Wallo; and is represented in other books by noted authors.
His work has appeared in many national magazines including
National Wildlife, Today's Art, Look, Western Canada Outdoor,
and Sports Afield. He has designed conservation stamps for
the National Wildlife Federation.
Mr. Preuss is widely known for
his unique Wildlife of America ® conservation calendar
which has been distributed since 1955. It features a Preuss
painting and article for each month. One can obtain information
regarding -his calendar, prints, and paintings by writing
to Wildlife of America. His work can also be seen at Merrill's
Gallery, Taos, New Mexico, and he is represented by the Gokey
Co., St. Paul, Minnesota.
In spite of such a busy schedule,
Mr. Preuss manages to find the time to be active in many conservation
organizations. He has always been a champion of our much-maligned
wildlife and wilderness areas. He was instrumental in founding
Minnesota's first hospital for wounded wildfowl. He has served
as state chairman of the National Wildlife Week committee
for 17 years and occupied a position on the Minnesota State
Ducks Unlimited committee for 11 years.
At the time of this writing he
is president of the Minnesota Mycological Society, national
vice-president of Wetlands for Wildlife, Inc., and a director
of many other conservation groups. He is the recipient of
the Wildlife Conservationist of the Year Award, the Sports
Champion Award, the: Audubon Society Art Award, and the Art
Print of the Year Award.
Mr. Preuss' studio-home is located
in Minneapolis where, quite often, he allows the birds and
animals that are the subjects of his paintings free rein in
the studio. This close-at-hand live observation is invaluable
to an artist who is engaged in creating wildlife paintings.
With so many responsibilities
and widespread interests one would think that Mr. Preuss would
have very limited time for pleasure and relaxation. This is
not the case, however, for he and MarDee Ann, his wife of
18 years, take numerous field trips into the remote regions
of a great many of our national parks. Careful observation
of the wildlife in these untouched areas provides a bottomless
well of information from which he draws inspiration for his
artwork.
The Preusses maintain a second
home near Waterville's beautiful Lake Sakatah. The welcome
mat is always out for all friends-human and otherwise. The
most regular backyard visitors are the numerous squirrels,
rabbits, and birds that inhabit the area. He has entertained
as many as thirty squirrels at once. He has gained the complete
trust of many of the wild creatures and they will ride on
his shoulder and sit on his lap while feeding. Occasion ally,
he allows one or two of them into the studio where they serve
as natural models for study sketches.