HANS PEETERS
(1937 -)
Hans Peeters is best
known for his paintings of birds, particularly birds of
prey. He has two distinct styles, but most of his work is of
representational wildlife painted in acrylics, a
detail-friendly medium that allows an emphasis both on the
scientific accuracy of his subjects and their individuality.
What he calls his
looser "ecological core" paintings in oil or acrylic, by
contrast, do not always contain animals, nor do they define
a species; they are about color, light, and pattern in the
natural world and have appeared in the magazine of elegant
interiors, Architectural Digest.
Raised in Germany and
immigrating to the U.S. at the age of 16, he had early
interest in nature, which eventually led him to earn a
Master's Degree in Zoology at the University of California,
Berkeley and a job teaching biology at Chabot College,
Hayward, California. While a student, he worked as a
scientific illustrator with the Department of Agriculture at
Berkeley, but he didn't start painting seriously until the
early 1970's.
By the 80's he was
splitting his time evenly between science and art, merging
the two as much as possible.
He has acted as both
artist and scientific consultant for a popular bird field
guide; and as co-author and illustrator of a book on
California mammals (University of California Press), rather
than paint each species in the typical field guide profile,
he chose poses that indicate something about the behavior of
the animals. His long-term scientific study of Golden Eagles
has
also intertwined with his painting; two commissioned
paintings of Golden Eagles were used by the Mexican Postal
Service as postage stamp designs to promote conservation of
the endangered raptor.
In Panama, his
commissioned painting of a Harpy Eagle is part of an
educational program to preserve that species. Like many who
come from the frigid north, he is drawn to tropical climes,
traveling extensively in Africa, India, Latin America, and
Australia. His Indian travels led to a commission to paint
color plates of Indian birds for the Smithsonian
Institution.
An article about him
appeared in Wildlife Art Magazine, May/June, 1987.
His paintings appear
in the Leigh Yawkey Woodson Birds in Art catalogs of 1981,
1982, 1983, 1987, 1989, 1990, 1993 and The National Parks
Foundation "Arts for the Parks" art show catalogs of 1989,
1991, and 1993. They can also be found in the pages of
Architectural Digest, May 1982, March 1983, and November
1983.
Permanent Collections:
Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin
The Peregrine Fund, Boise, Idaho
Agrupacion Sierra Madre, Mexico City, Mexico